She doesn't have her own kids at home, so she has lots of time for her personal grooming. I hope people will get a good laugh out of how slightly wrong she gets it all the time. It was really interesting to figure out how she could get to that place where she justified things like that to herself.Īnd I haven't told anybody else this yet, but I really had a lot of fun dressing her. She sees the need to do things that are difficult and illegal, and for many people immoral, but she sees that the end justifies the means for her. She's loving and she's tender, family is everything to her and loyalty is enormous for her, but she's also very ruthless and practical above everything. And I really enjoyed trying to imagine how she could get there because she's very contradictory. You get to really get the character off the page and put them up on legs. They were saying, "Do you like her? Would you be interested? How did she get there?" They knew the impact and the strands she would pull together, but they hadn't really decided who she was. Peter had written her, and they knew that they wanted to have a woman at the top end of the family - just so that it would create a different dynamic that a woman would in that position rather than another man. They called me and said, "Would you like to have a meeting and talk about her?" The really interesting thing from my point of view was they hadn't really decided exactly who she was. Peter McKenna, the writer, and Diarmuid Goggins, the director, set it up. I really was compelled by it and just kept wanting to read and to find out, "What did they do next? What other terrible decision did they make?" I really liked it. When I got the scripts, I read them and just was page-turning. She's at the top end of the family her brother, Frank Kinsella, runs the whole operation because their other brother is in jail. Maria Doyle Kennedy: Birdy is kind of the matriarch of the Kinsella family. Screen Rant: Can you tell me a little bit about Birdy and what attracted you to the role?
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